#Ome banjo used serial number

GHS stringsВ has the most gauge choices and are what I recommend.Д« has been in business online for 15 years and accepts all major Credit Cards and PayPal. If you are somewhere in between a good place to start is a medium light set. Playing closer to the bridge with light strings adds more resistance and a tighter feel. If you have light gauge strings on the 5th and 1st like a 9 or 10 gauge and a heavy string on the third like a 15 or 16 you will likely get too much sustain on the 1st and 5th and not enough on the 3rd string which could result in an unbalanced tone, or simply put, you are hearing too much 1st and 5th string and not enough 3rd string.ДЄ couple of simple tips to help you decide what to start with is if you are heavy handed or have a tendency to hit the strings with force and push down harder, use a medium or heavier gauge and if you like to play with a lighter feel, then use lighter strings. On a banjo you want a balanced tone.The GHS PF 175set I use, has slightly heavier than normal on the 5th and 1st and medium light in the middle. These are the string gauges in the Sonny Osborne Set. This set I use is the GHS PF 175 set, they areВ Sonny Osborne signature set. In contrast the lighter strings are more slack and require the proper touch or you could overplay them or push them down to hard on the fret board If you are new to banjo, how do you decide?Д®veryone is different and as in everything you develop a preference through experimentation but IвЂ™ll do my best to explain some differences and my preferences.ДЄ heavier gauge string when tuned to pitch will be tighter and give more resistance. I use a medium light set but there a many choices and I have tried lotвЂ™s of different combinations. All rights reserved.Banjo Strings come in many gauges, light, medium, medium light and heavy gauge. I can forward the lengthy history of the banjo as provided to me by the President of the Ossipee Valley Bluegrass Association when I purchased the banjo.

#Ome banjo used serial number

(I will furnish this banjo's serial number if desired to get exact specifics from Ome on this 2006 build.) Sweetgrass specifications can be reviewed on the Ome website. Comes with the original Ome/TKL case, also in near-like-new condition. When I bought it, I had it checked out by Don Zepp who installed and set up a Snuffy Smith bridge. Beautiful maple back and neck, Brazilian rosewood fingerboard and peghead. I have removed as much as I can without taking the banjo apart. The rim and body hardware have small amounts of tarnish. It's main playing time was during the festival tour when it was demonstrated to encourage raffle ticket sales. This banjo has been cased (not played) since March 2008 in a climate-controlled, non-smoking home and is in excellent condition.

I purchased the banjo from the Ossipee Valley Bluegrass Association in March 2008 when it was put up for sale. At the final festival the winning raffle ticket was drawn, but the winner was not a player so the festival purchased the banjo back from him, sold it on the open market, and added those funds to the funds raised by the raffle ticket sales to be given to the honoree's family. During that 'tour', the banjo was played by greats like Jens Kruger, J. The banjo was taken to every bluegrass festival in New England during Summer 2007 where raffle tickets were sold, a winning ticket to be drawn in September. When a legendary player in Maine passed away, the Association decided to use the banjo to honor him and raise funds for the family he left behind.

Ome decided not to attend the NAMM show and they donated this banjo to the Ossipee Valley Bluegrass Association (Cornish, Maine) to be used as First Prize at the 2007 New England Banjo Championships in July 2007. It was the only 2006 Sweetgrass with a Brazilian rosewood fingerboard and peghead. This 2006 Sweetgrass was built by Ome to display at the January 2007 NAMM show in Anaheim, CA.